NEXT LEVEL FUCKED UP 2016 seven channel video installation, 13 monitors, video projector, carpet, pillows, police light, polyester window film synopsis: A multi-channel video and sound installation displaying the artist’s view of the crumbling world we live in is the central sculptural element of Vanessa Renwick’s piece Next Level Fucked Up. This primarily cacophonous, alternately soothing work combines images of global catastrophes with biting, guided-tour commentaries on Portlanders’ disgusted responses to recent regional development. Video bursts of typhoons, fires, melting glaciers, and images taken from metropolitan Portland are flanked by projections of Oregon’s Painted Hills. The artist embraces technology to make a statement focused upon the inevitability of cyclical environmental change through eons and eons of time. Renwick reminds us that oceans rise and fall, ice melts, palms replace firs—and that whatever the cause, change happens. From local to global and immediate to timeless, displaying both fear and hope, Renwick’s aptly titled installation blatantly addresses the artist’s reaction to our current state of affairs. credits for six of the channels: score: Sam Coomes, Michael Hurley and Marisa Anderson cinematography: Eric Edwards, Mark Eifert, Michael Palmieri and Vanessa Renwick edit: Vanessa Renwick, Michael Palmieri and Tim Scotten credit for one of the channels: cinematography and edit: Colleen Plumb premiere: APEX, Portland Art Museum 2016

COLD HOLY WATER
2019 6 minutes 20 seconds, looping, 16mm to digital video
one channel video installation, video projector, speakers, carpet, pillows, curtains


synopsis:

The instrumental music by Marisa Anderson is a lament for Alan Kurdi, the three year old Syrian refugee boy who drowned in 2015, along with ocean waves and whale breathes sound design mixed in.The images came to my mind during the 17 days that the orca whale mother pushed her dead infant towards the surface in the Salish Sea in fall 2018 in what biologists referred to as a "tour of grief".

credits:
score: Marisa Anderson
sound design: Eric Macey
edit: Vanessa Renwick and Eric Macey
assistant editor: Katherine Lance
16mm archival footage obtained from Craig Baldwin and Daniel Menche
Film transfer: Lightpress
commissioned by Richard Herskowitz and the Houston Cinema Arts Festival
install help: Dwayne Hedstrom
thanks to Jon Behrens, Interbay Cinema Society Award, Nick Storie, Stan Herman, Brandon De La Cruz, Ruth Ann Brown and Richard Herskowitz

premiere:
NINE Gallery, Portland, Oregon
November 2019