Founder and janitor of the Oregon Department of Kick Ass

Rankin (Vanessa) Renwick is an artist by nature, not by stress of research. They put scholars to rout by embracing nature's teaching problems that have fretted trained minds. Working in experimental and poetic documentary forms, their iconoclastic work embodies their interest in landscape and transformation, and relationships between bodies and landscapes, and all sorts of borders. 

They have been a singular voice in the experimental cinema for over 20 years. Eschewing an allegiance to any one medium or form, Renwick builds authentic moving image works revealing an insatiable curiosity and unflinching engagement with the world around them. Often focusing their lens on nature, freedom and the locales of their adopted home, the Pacific Northwest, Renwick uses avant-garde formal elements to explore radical politics and environmental issues. An artist who often self-distributes, their screening history reads as a map of independent cinema worldwide. They have screened work in hundreds of venues internationally, institutional and not, including The Museum of Modern Art, Light Industry, The Wexner Center for the Arts, Art Basel, Oberhausen, The Museum of Jurassic Technology, Centre Pompidou, Bread and Puppet Theater and True/False Film Festival, among many others.

Rankin Olivia Metolius Renwick is a non-binary artist of Scottish and German descent, born on the traditional and unceded territory of the Illiniwek in what is now known as Chicago, Illinois.  They live and work as an uninvited guest on the traditional territory of the Chinookan peoples, now known as Portland, Oregon.

CONTACT
Email: qualitypie@gmail.com
 
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