The Work
In the works
Films
- Portland Meadows
- SF HITCH
- Charismatic Megafauna
- Mighty Tacoma
- FULL ON LOG JAM
- Woodswoman
- Babyman
- Little White Horse
- Portrait #3: House of Sound
- Red Stallions Revenge
- Portrait #2: Trojan
- Lure
- Portrait #1: Cascadia Terminal
- Britton, South Dakota
- 9 is a secret
- Westward Ho
- Richart
- Satan's Holiday
- The Ugly Movie
- Yawn
- The Yodeling Lesson
- Olympia
- Mine
- Food is a Weapon
- Crowdog
- Warning
- U.C.A. Box
- Worse
- Random Union
- Rube Ranch
- Toxic Shock
- Fatal Plus
Installations
- Medusa Smack
- flat as a board (knot)
- Longhorn
- The Dirt Bird
- Zoobomb Pyle
- The House of Sound
- Nice Package
- Lovejoy Lost
- Hope and Prey
- Patriot Act
- Rising Up
- Hunting Requires Optimism
- Drivers Lounge
- Rubberneck
- Clearcut
- The Yodeling Lesson Installation
- A Nice Ass
- Below
- Ring
Photography
Books
Curation
- A Natural Selection
- Hunker Down To Rise Above
- Stumptown Sap
- Follow Me To Certain Death
- The Hunt
- DeComposer
- Beamsplitters
Tours
Stencils
SF HITCH
1981/2012
super 8 and 16mm to video
5 min 17 sec
shot,narrated and edited
by Vanessa Renwick
My wolf dog Zeb and I set off hitching in the early 80's from Chicago to SF to see what it's all about.
We met some beats and some freaks.
Footage was shot in 1981, 2005 and 2007. Edit was done in 2012.
The narration:
I had thought that if I had a car I would be useless mish mash.
I didn’t drive
I took trains, walked, or was a pliable passenger while others drove.
Raise your hand for permission to pee, for a taxi.
I got a puppy that was part wolf. Zeb, I named him. He didn’t like being left alone in the apartment. He would eat holes in the drywall, rip up the linoleum, chew on the molding. He wanted to be trotting along wolfstyle - 70 miles a day. In a way he invited me to take a trip, get the hell out of the god damn apartment. I decided to head to San Francisco. I’d never been there and it always sounded kind of magical.
The monster dog awaited along side of me on the highway with such muted strain. I was a hitching model & he was my accessory. We were waiting, wanting to travel, not wanting to stop.
Strangers in the brotherhood of hitchhiking, mainly lonely men, stopped to pick us up. Never waited more than 5 minutes for a ride. Plastered smile in the passenger seat. West we went. Double skeeter bites behind the right knee, bugging me. Zeb on my lap, content.
This one old man picked me up and was speeding like a lunatic. He said I could stay at his house. Turns out we were speeding along so he could get home and watch Lawrence Welk. Next ride was a Nam vet - chicken farmer with a Vietnamese wife. We had to stop at his place to check on the birds in a long low building; I had never seen so many chickens before. He took me onward after.
San Francisco
early morning arrival.
All those beautiful colorful
tiles on the storefronts blowing my mind. Never seen anything like that before.
Used to the never-ending brickhouse of Chicago. Even the bums were good looking
in San Francisco.
I stopped to ask directions to a park and ended up hanging out with the man, Nathan, and his friend David for a few days. Nathan was a valet at the North Beach Restaurant and lived right across the street from it in the building that came to a point at Columbus and Stockton.
He lived in the point, one teeny room on the top floor, with 12 masks hanging on the wall in between the windows. The landlady was wretched - downstairs all the time and no dogs were allowed, so Zeb got tied up on the sidewalk while I went up to Nathan’s place. We climbed a ladder to the rooftop with water balloons and were pitching them over the side at people.
He took me to Vesuvio’s later that night and I got introduced to Ferlinghetti, and wild haired Gregory Corso. I couldn’t believe I was here, being introduced to all these writers, just like that.
Bob Kaufman was sitting quietly in the corner at the bar. I remember passing him a few times on the street; he was emanating the feel of a golden Buddha, not a smiling fat bellied one, more like an equanimus samurai.
I went to City Lights the next day and got the shiny silver book “Seeing The Light” by James Broughton. This book had more effect on my vision for making films than any ever.
Its 12:20 a.m.
everything itches and Zeb
waits. Where am I?
In an alley I hunkered down in to go to sleep. I pick my
scabs for a million years.
Imaginary fleas vs. real
fleas,
damp dirt itchy legs
it smells like piss
cold night with pebbles in my
sockless hightops
feeling not right
Dog panting nervously.
I sleep.
I wake to some freak I can’t see, screaming at me in the dark, that this is his alley to sleep in and I need to get out. I grab my knife and Zeb, who is barking at the twisted freak. I didn’t know that Zeb could bark. I turn fierce, holding wolf dog and buck knife, sitting up from my sleeping bag, and yell back so raging for this freak to get the fuck out and leave me alone. He keeps yelling at me to git, but I eventually win out,
I win,
I’m the freakier freak.
He retreats to the street,
and I go back to sleep.
Close your eyes crack your
spine
I woke up in the morning
I was an apprehensive flea
bitten bag
Claustrophobic
And I thought
Farewell.
San Francisco was not the
place for me
I didn’t know where I was
going
I went for want of leaving.
Back at Dennys drinking my
last 50 cents worth- making it last. Starting on my 7th cup of
coffee waiting for the sun to warm up the road,
I didn’t care where I was going as long as I was going. I was still treading.
Zeb jumped into a truck.
Strangers in the brotherhood of hitchhiking taking us on out of city sitting, into town sitting and out to black berry bushes in the sun on a hill steep. Now I’m sweating and stinking and watching the eagle circle overhead.







