The Work
In the works
Films
- Charismatic Megafauna
- Mighty Tacoma
- FULL ON LOG JAM
- Woodswoman
- Babyman
- Little White Horse
- Portrait #3: House of Sound
- Red Stallions Revenge
- Portrait #2: Trojan
- Lure
- Portrait #1: Cascadia Terminal
- Britton, South Dakota
- 9 is a secret
- Westward Ho
- Richart
- Satan's Holiday
- The Ugly Movie
- Yawn
- The Yodeling Lesson
- Olympia
- Mine
- Food is a Weapon
- Crowdog
- Warning
- U.C.A. Box
- Worse
- Random Union
- Rube Ranch
- Toxic Shock
- Fatal Plus
Installations
- flat as a board (knot)
- Longhorn
- The Dirt Bird
- Zoobomb Pyle
- The House of Sound
- Nice Package
- Lovejoy Lost
- Hope and Prey
- Patriot Act
- Rising Up
- Hunting Requires Optimism
- Drivers Lounge
- Rubberneck
- Clearcut
- The Yodeling Lesson Installation
- A Nice Ass
- Below
- Ring
Photography
Books
Curation
- A Natural Selection
- Hunker Down To Rise Above
- Stumptown Sap
- Follow Me To Certain Death
- The Hunt
- DeComposer
- Beamsplitters
Tours
Stencils
Patriot Act
neon, velvet, the U.S.A. Patriot Act, The Library Bill of Rights
Patriot Act is Vanessa Renwick's newest work, an impassioned and sublime installation
that explores our country's shifting personal and constitutional liberties. Renwick's piece consists
of neon words installed in the library cases. The words emanate a meditative, ethereal glow and
shift in and out of legibility depending upon one's perspective. Renwick's work foregrounds critical
discourse concerning our access to and personal control over information and experience. In Patriot
Act, Vanessa specifically references the Rights of Library Users:
The Library Bill of Rights affirms the ethical imperative to provide unrestricted access to information
and to guard against impediments to open inquiry. Article IV states: "Libraries should cooperate
with all persons and groups concerned with resisting abridgement of free expression and free access
to ideas." When users recognize or fear that their privacy or confidentiality is compromised,
true freedom of inquiry no longer exists. Adopted June 19, 2002, by the ALA. Council.
See Case Works for more info on the original incarnation of this installation which was commisioned by Stephanie Synder at the Douglas F. Cooley Memorial Art Gallery /Reed College.
See The Prelinger Library for the current red-hot resting place for this piece.









