The Work
In the works
Films
- Portland Meadows
- SF HITCH
- Charismatic Megafauna
- Mighty Tacoma
- FULL ON LOG JAM
- Woodswoman
- Babyman
- Little White Horse
- Portrait #3: House of Sound
- Red Stallions Revenge
- Portrait #2: Trojan
- Lure
- Portrait #1: Cascadia Terminal
- Britton, South Dakota
- 9 is a secret
- Westward Ho
- Richart
- Satan's Holiday
- The Ugly Movie
- Yawn
- The Yodeling Lesson
- Olympia
- Mine
- Food is a Weapon
- Crowdog
- Warning
- U.C.A. Box
- Worse
- Random Union
- Rube Ranch
- Toxic Shock
- Fatal Plus
Installations
- Medusa Smack
- flat as a board (knot)
- Longhorn
- The Dirt Bird
- Zoobomb Pyle
- The House of Sound
- Nice Package
- Lovejoy Lost
- Hope and Prey
- Patriot Act
- Rising Up
- Hunting Requires Optimism
- Drivers Lounge
- Rubberneck
- Clearcut
- The Yodeling Lesson Installation
- A Nice Ass
- Below
- Ring
Photography
Books
Curation
- A Natural Selection
- Hunker Down To Rise Above
- Stumptown Sap
- Follow Me To Certain Death
- The Hunt
- DeComposer
- Beamsplitters
Tours
Stencils
Britton, South Dakota
16mm to video -9 minutes 2003
Britton, South Dakota by Vanessa Renwick
Score by Johnne Eschleman
Cinematographer: Ivan Besse (shot in 1938)
Footage obtained from The Prelinger Archives / Rick Prelinger
for the DeComposer Film and Music series programmed by Bill Daniel and Vanessa Renwick in Portland, Oregon
Ivan
Besse was the Strand movie theater manager in Britton, S. Dakota during
the Depression. He had a 16mm camera and went about town shooting
people at their various activities during the day. He would show the
footage before features and newsreels as a way to lure the people into
the theatre.
Most of the 2 1/2 hours of footage that he shot is of people
walking down the street, there are also scenes of a barn being moved, a
corn husking contest and kids running out of school.
The footage that really stood out to me was these 8 minutes of
portraits of children. They had no idea of what a movie camera was.
The lack of narrative invites dressing these cinematic dolls with futures, now histories. The melancholic drone of the accompanying organ music tends to lead them into sad tragic finery.
“Not only found footage, but a found film made 60-some years ago directly addressing contemporary structural concerns. I wish I had made this film today. Oh, it was made today.”
James Benning
"Britton, SD is of course the greatest of films, one of the few to get to the core of human matters and then stay there for a bit without turning away." Jem Cohen
AWARDS
2005 Gus Van Sant Award Best Experimental Film, Ann Arbor Film Festival
2004 Gecko Prize, Cinematexas
2003 Northwest Film Festival Best Experimental Film,
James Benning, judge



